Experimentation is the master word of the visual artist’s approach as well as the implicit attitude of the visitor, whose physical or psychic relationships to the real and perceptual habits are systematically disturbed.
Ann Veronica Janssens’ approach is about shine and shimmer, transparency and fluidity, visible and elusive, but also about reflection and refraction, movement and perspective, balance and instability.
The artist, in this perspective relies on a multitude of devices through which she knows call to science to further explore the fields of sculpture as painting.
A certain curiosity and a need for exchange have always nourished his work.

Here, Ann Veronica Janssens anchors us to the ground, to the solid, to the powerful, imposing and tangible mass. This is through June and May, two bars of green and pink tones, affixed to the floor of the gallery, a reference to IPE 650.
This work takes the form of a long parallelepiped, while taking a translucent aspect.

May has the particularity of capturing light, as if it concentrated it in its very bosom, in condensed green where small bubbles appear.